Check Out The Film Joe Versus The Volcano

Before he was Forrest Gump, before Saving Private Ryan, Tom Hanks was primarily a comedy star. If you watched Bosom Buddies, you knew that Hanks showed a lot of promise. He may not be considered one of the best actors out there, but he’s always cited as one of the most charming and instantly likable. His early comedies, Turner and Hooch and Big, showcased his talent for making you laugh and his likability, but Joe Vs. The Volcano is one of the all time must movie download.

So what makes this one so special? Well for starters, while Big and Turner and Hooch both did an excellent job showcasing Hanks’ abilities as a comic actor, Joe Vs. The Volcano is a little more demanding of the actor. Here, he’s asked not simply to provide a few funny moments, but to be cast in the shoes of the everyman. At the beginning of the movie, Joe is seen in a situation most of us will find familiar: selling his life away for “three hundred dollars a week”.

The film starts off with Joe slaving away at a miserable, miserable job. He works in a dismal factory, a disgusting, repugnant block of concrete in the middle of a field of mud, where flickering fluorescent lights, he believes, are giving him cancer. Bo Welch, the set designer for Beetlejuice, created this ugly masterpiece of depression as well as the look of the rest of the film.

Joe, a serious hypochondriac, takes a trip to the doctor’s office where he learns that he has a “Brain Cloud”. A fatal condition. From here he meets the industrialist played by Lloyd Bridges, who offers him a chance to live like a king for several months, in exchange for his suicide by jumping into a volcano.

Played wonderfully by Lloyd Bridges in his one scene, the industrialist needs Joe’s help. He mines on an island called Waponi Woo. Once every hundred years, so the people of the island believe, the volcano will demand a human sacrifice lest it explode and kill everyone. Joe comes to terms with his own mortality here and in doing so comes to terms with life itself.

Joe is made to fully appreciate what a gift life is. By accepting his death, by having nothing to lose, Joe is able to do anything he wants in life, including jumping into a volcano. This is where the movie’s philosophy lies, this is the meaning of life: Enjoy it for what it is. Don’t worry about the afterlife, don’t worry about mortality or bills or rent, don’t let the troubles of the world get you down, just appreciate every moment for what it is.

The look of the film is similarly wonderful. Bo Welch really sends it out of the park on this one. The film takes place in a sort of fantasy mirror universe of our own. Taking cues equally from Dali and Andy Warhol, the film looks like a living dream.

Spoiler Alert: The original draft of the script for this film had the industrialist and the doctor getting their comeuppance in the finale. Honestly, it’s better that they don’t. While they were scamming Joe, the fact is that they gave him his life back. Whether or not this is with intent, the doctor and the industrialist serve in the story as both the villain, and as Joe’s savior.

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