The Role Of Color Theory In The Art.

Painting in some older textbooks are often defined as drawing by paints that indicates the main feature of the painting that distinguishes it from other types of fine art, namely, the work with paints, i.e. with color.

The problems of color from different angles are learned in a number of sciences and scientific disciplines nowadays. Physics studies the energetic nature of color, physiology – the process of perception by the human eye a certain waves of certain length and converting them into color, psychology – the problem of color perception and its impact on the psychology, biology – the meaning and role of color in life of living and plant organisms, mathematics develops methods for measuring the color . The totality of these sciences is the scientific chromatics.

In the theory of painting and painting practice we study mainly the artistic and aesthetic properties of color, patterns of creation of a color system, color pictures, use different techniques of contrast, the ratio of color with the other components of the artistic form, such as line, plastic, light and shade, the role of color in the composition of the picturesque composition.

The main criteria of evaluation of color and color combinations in art practice of art is their beauty, correspondence to as the natural color and color combinations that exist in reality, as a creative intention of the artist.

Patterns of color combinations in painting – are certain patterns of objective reality reprocessed by creative consciousness of the artist.

Color harmony, colors and contrasts that exist in reality are perceived by an artist in his own way. He generalizes them, interprets in accordance with the creative idea, and sometimes considerably transforms and reassess.

Knowledge of scientific representation about color cannot replace the need to explore the nature of the artist in the whole manifold and the complexity of the manifestations of forms and color, but can greatly enrich the artistic practice, as it has been observed in the history of art many times. We know how important the scientific knowledge was in the art of the Renaissance.

Scientific knowledge of color is necessary for the artist for the mastering of painting technology. Pigment layer of the pattern is perceived by the spectator through a number of physical processes – reflection, refraction, absorption, dispersion etc.

The terms of exhibition of paintings also require consideration of many optical patterns.

The theory of color as a means of artistic expression in painting is based on scientific chromatics, but to a certain limit, since the scientific chromatics cannot explain us the laws of coloring and painting.

Artistic creativity in fine arts, and particularly in painting, in each case – is unique phenomenon, and it cannot be reduced to the scheme. The artist creates without using prescription; almost every artist has a creative technique, artistic principles that are often based on intuition. In the creative process the intuition plays a very important role.

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